Lebanese-American soprano, Jodi Karem has been described as having a rich sound and creamy legato as well as being a sensitive performer. She performs in both opera and concert in a variety of roles throughout the United States, Europe and the Middle East. In 2021, Ms. Karem performed the role of Lady Macbeth both in Opera for Earth’s New York City production and in Austin, TX for the Neill Cochran House Museum’s Porch Concerts Series. In 2019, Ms. Karem was a prize winner in the Lyra New York International Vocal Competition, Opera Division. Ms. Karem’s 2019 performances include the role Alice Ford (Fidelio) and Gertrud (A Hand of Bridge) as well as concert performances in Dubai, UAE and in Germany. In Ms. Karem’s performance of Venus in Wagner’s Dresden version of Tannhäuser with Apotheosis Opera in New York City she “inhabited her role with seductive tone and movements”. In her portrayal as the Mother in Amahl & the Night Visitors, Ms. Karem “reached emotional and vocal heights that set the pulse racing and the emotional barometer practically bursting” (BrooklynDiscovery.com).
Ms. Karem grew up the only girl of 7 children and played a variety of sports as a child. When she discovered her voice in college, she immediately fell in love with opera. Ms. Karem keeps her mind in both sports and opera to stay fit for the demanding roles she sings. She recently completed the Tough Mudder, which consisted of 10 miles of running and military obstacle courses. After this success, she went on to sing scenes from Tosca and Tannhaüser as a guest artist with the Canton Symphony Orchestra.
Ms. Karem premiered the role of Lady Mabel with the Center for Contemporary Opera’s production of The Secret Agent in New York City, the European debut with the Armel Festival in Hungary as well as in Avignon, France at Opera Grand Avignon. The release of The Secret Agent CD features Ms. Karem as part of the debut cast. As a mezzo soprano, Ms. Karem has performed with Springfield Regional Opera, Long Leaf Opera, Union Avenue Opera, Inter Cities Opera, Florentine Opera, Skylight Opera, Natchez Opera Festival, Center for Contemporary Opera, Armel Opera Festival and Opera Grand Avignon. In a performance of Santuzza with Cape Cod Opera, Ms. Karem’s performance was described as “one of the finest performances I have witnessed, not just stylistically, but in every other way – acting, emotion, facial expression, body movement.” (operaOnline.us)
Recent concert performances include guest solo artist with the Athena Music Foundation in Dubai, UAE and with New York Dramatic Voices in excerpts from La Gioconda and La Fanciulla del West. Other performances include a recent performance at Carnegie Hall as a Soloist in Mozart’s Vesperae solennes de confessore, as a soloist at Carnegie Hall in Mozart’s Requiem, soloist in the Dayton Philharmonic’s Messiah, as guest artists with the Canton Symphony Orchestra, as a soloist with the Louisville Orchestra, a concert and master class at Wabash College, as a soloist with the Palm Beach Theatre Guild, Waukegan Public Library Concert Series, Northwest Community Church Concert Series, and Carmen preview concerts with Florentine Opera in Milwaukee. Ms. Karem has been a prize winner and scholarship recipient with Opera Columbus Competition, National Opera Association, Marguerite McCammon Vocal Competition, Lyra New York International Vocal Competition, Aspen Music Festival, Bay Area Summer Opera Theatre Institute and Opera Theatre of Lucca. Young artist programs include Natchez Opera Festival, Cincinnati Opera Outreach Ensemble, Utah Opera, and Aspen Opera Theatre. Ms. Karem also performs in recital throughout the United States, and had the opportunity to perform as a solo artist for the Metropolitan Opera Guild’s “Spinning Strauss” Master Class Series with Jane Marsh as well as for the Lincoln Center Patrons. Ms. Karem has appeared as a solo artist with the Louisville Orchestra under Maestro Mester.
